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Interview: Kevin Gentilcore

Recently I had a chance to bend the ear of illustrator/author Kevin Gentilcore, creator of the “Teenage Love Zombies” series, among other cool projects.  Check out the info that Kevin shared with me below, and be sure to hit up his “Teenage Love Zombies” Kickstarter, now in it’s final week – I’m a proud supporter, and you should be too!  Enjoy the interview!

kevinAUTHOR BIO:  Down in the damp, dark basement dwells a beast of unholy persuasion. Day and night he toils endlessly, never knowing what could be outside of this existence. He knows only of hunger. He knows only of pain. He is the illustrator and his fate is sealed.

WEBSITE: http://www.creephousecomics.com

KEVIN ON FACEBOOKCreephouse Comics page

KEVIN ON TWITTER: @CreephouseComic and @KevinGentilcore


THEGORESCORE.COM: Please give us the best pseudo-online-dating-site introduction/overview of yourself.

KEVIN: Well, I’m 33, live in Denver, CO with my amazing girlfriend. By day I’m a mild mannered graphic designer but by night I’m independent comic creator. Along with my business partner and writer William Tooker we run Creephouse Comics, a place to get all your all-ages horror comic needs satisfied.


THEGORESCORE.COM: What exciting projects are you currently working on?

KEVIN: Aside from the Kickstarter for Teenage Love Zombies and Never Send a Monster, I’m currently working on the second issue of my comic series The Haunter. William has handed in the script for the second issue of Krush McNulty, our love letter to old pulp sci-fi and I’ll be starting that soon. I’m also in the middle of working on a heavy metal themed comic with my buddies and fantastic artists Patrick Hoover and Robert Elrod.


THEGORESCORE.COM: What was it that first got you interested in drawing/graphic illustration?

KEVIN: Plain and simple. Comics. I think it was about 3rd grade, an older kid showed us some Marvel comics and I was hooked. He also happened to draw his own superheroes which I thought was even cooler and I wanted to do that as well. My fate was sealed.  I knew then that this is what I wanted to do for the rest of my life. The road took some twists and turns along the way but I would say with the formation of Creephouse Comics five years ago, I’m on the right path.

Click the image for the full-sized view!

Click the image for the full-sized view!



THEGORESCORE.COM: You wrote “Teenage Love Zombies” in addition to creating all of the artwork.  Did you find the writing or the illustrating more challenging?

KEVIN: The art is always the hardest part for me. Not that it’s hard to draw, it’s that in comics the storytelling comes with the art and I strive to be a good storyteller with each panel. I wouldn’t consider myself a writer. I utilize writing as a tool to tell my stories and my scripts are pretty bare bone. I only write down dialog and notes for visuals later so that when I go to actually draw out the comic I can recall a visual I was thinking of when I wrote that part or a feeling I had about it. I’m constantly learning more about storytelling and trying to push it more and more with each comic.


THEGORESCORE.COM: As a fellow “independent creator,” I’m always interested to hear other creators’ best and worst rejection stories. Do you have one and/or the other that you’d like to share?

KEVIN: Oh brother, rejection. Do you  ever really get used to it? I’ve developed a thick skin for it but I do recall once, maybe 8 years ago I had submitted some comic work to an “artist rep” and was so sure of myself. When he called to drill me about how “amateur” my work was, I was crushed. He of course was right, and he put it in a very direct and helpful way but still, it stung. I like to think I took what he said to heart .


THEGORESCORE.COM: Here it is, the $100 question: why are zombies so damn popular?

KEVIN: Because zombies are us and they are the great equalizer. In a zombie outbreak, everybody is the same and suddenly we all have the same motivation… stay alive. Of course how we stay alive is different for everybody.


THEGORESCORE.COM: What are some well-done comics/novels/anthologies/short stories/articles written by other authors that you’ve enjoyed recently?

KEVIN: Some recent stuff I’ve been enjoying lately is Barbarian Lord by Matt Smith,  Lumberjanes by Grace Ellis and Brooke A. Allen, Sex Criminals by Matt Fraction and Chip Zdarksy, God Hates Astronauts by Ryan Browne, Sing No Evil by JP Ahonen and KP Alare, and I’ve been re-reading the Star Wars Tales comic series.


THEGORESCORE.COM: If you could create a tale about any object or character, fictional or real-life, and not have to worry about pesky things like copyright infringement, the truth, cold hard facts, or pretty much anything else that might get you sued, who/what would you use, and why?

KEVIN: I would do a metal comic featuring real metal musicians getting into crazy adventures and having to put up with each other. I also really want to do a short story about Porkins from Star Wars. A buddy of mine suggested we do it and damn all legality but I can’t do that without having permission. A boy can dream though. Something I can do and have always wanted to do is a scary Bigfoot story. I miss when Bigfoot was scary.


THEGORESCORE.COM: What are some of the most challenging struggles you think creators face these days?

KEVIN: Getting your stuff out there and seen. There are so many people swimming in the same pool, it’s a challenge to get noticed. You have to really work at it, tirelessly and give it your all.


THEGORESCORE.COM: Looking back on your career, what is the one thing you wish someone would have told you when you first began?

KEVIN: I’ve kind of figured things out on my own as I go and I think that’s been valuable. I’m not sure you can adequately prepare anybody for this except to emphasis just how much work and time it takes. I’ve always admired artist, teachers, professionals who don’t sugar coat things and just tell you flat out so I would have wished more people would have been blunt with me when I started, about my art and storytelling.


THEGORESCORE.COM: Do you have an all-time favorite comic book?  Novel?  Movie?  Music album or band?

KEVIN: Favorite comic book is Daytripper by Gabriel Ba nd Fabio Moon. My favorite novel is Just a Couple of Days by  Tony Vigorito. Favorite movie is The Empire Strikes Back. Favorite album is Panopticon’s Roads to the North.

TLZ Comic


THEGORESCORE.COM: Do you attend conventions or book signings/appearances?  Do you think these events hold value for creators to participate in, and why/why not?

KEVIN: I do attend conventions and I used to think there was tremendous value in doing so. The convention scene is changing drastically and I’m starting to think that these larger shows don’t have as much value as they used to. I’m not mad about it, I just feel that for independent creators doing their own thing, it’s hard to break through in a sea of fan art and media frenzy. The internet is such a vast place and you can find your audience there and communicate with them directly. I think building an audience first and then going to do shows might be the better approach. I’m trying to find more niche type shows that I think I might do better at. I recently attended the Mile High Horror Film Festival and did extremely well there.


THEGORESCORE.COM: This is a topic of great debate: do you listen to music when you create?  If so, what types/genres/artists do you find yourself gravitating to?

KEVIN: I absolutely listen to music when I create. I listen to music constantly.  I’m a huge metal fan so generally I’m listening to that. Black metal in particular and this year has been an absolutely phenomenal year for metal. Some of the best music I’ve ever heard has come out this year. I grew up listening to punk so I still like a lot of that. I also listen to country and folk music.


THEGORESCORE.COM: What do you think is one of the biggest mistakes that creators might make when they are first starting out?

KEVIN: Don’t be a jerk. Be humble and gracious. Remember you are just starting out and don’t act like a diva.


THEGORESCORE.COM: Do you have any particular quotes, serious or humorous, that have meaning to you or that you try and live by?

KEVIN: “So now you say life sucks? Well, ninety-nine percent of it’s what you make of it… So if your life sucks, you suck.” –Suicidal Tendencies


THEGORESCORE.COM: Is there anything else you’d like to share that we haven’t already discussed?  The world is your stage – nothing is too much here!

KEVIN:  If you like an artist or writer, buy something from them. It’s usually cheaper than a specialty coffee drink at Starbucks and much more satisfying, for you both. We often give our new books away for short periods of time so the best way to get free comics from us is to sign up for our newsletter.  We’re also running a Kickstarter that is set to end on Halloween. We have two new, all-ages friend horror graphic novels up along with other goodies. We could use all the help we can get!

TLZ Comic Front

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“Zombie-Proof” Cabin comes with a 10-year Anti-Zombie Guarantee

 

image via Nerd Approved

image via Nerd Approved

From our friends at C-NET:

You hear the horrifying groans. Decaying hands scrabble at the door, trying to find a way in. They want to eat you. You sit down on the sofa, kick your feet up and open a can of Spam. No worries. You’re inside a Zombie Fortification Cabin from Tiger Log Cabins. All you have to do now is wait in safety and comfort for the zombie apocalypse to blow over.

The ZFC-1 is a log cabin kit designed with the walking dead in mind. The structure consists of three connected buildings. It comes stocked with reinforced slit windows, walls and doors; a barbed-wire surround; an escape hatch on top; and a living room with Xbox, TV and sound system. It comes with an arsenal storage unit to secure your anti-zombie weaponry. There’s also a toilet system, garage, kitchen area with microwave and an upper deck with a full view all around so you can keep an eye out for the oncoming horde. A garden section means you won’t have to take over an abandoned prison to start a small produce farm.

The $113,000 (£69,995, about AU$129,000) price tag is for the kit only. It will cost you an additional $21,000 to add installation, $3,000 for security cameras and $5,600 for solar panels. Pricing is available on request for adding a water cannon, search lights or flame thrower to the package. There seems to be no option to add on a samurai sword, so you’ll need to provide your own.

One of the cabin’s more notable features is a 10-year anti-zombie guarantee. This may be the most brilliant guarantee ever offered on a structure. If for some reason the cabin doesn’t hold up and a zombie (or 2 or 12) gets inside, chances are the cabin’s owner won’t survive to complain. “Please note — we require medical evidence of the presence of a real zombie should you wish to claim under the 10 year anti zombie guarantee,” Tiger writes.

image via Nerd Approved

image via Nerd Approved

image via Nerd Approved

image via Nerd Approved

image via Nerd Approved

image via Nerd Approved

image via Nerd Approved

image via Nerd Approved

image via Nerd Approved

image via Nerd Approved

image via Nerd Approved

image via Nerd Approved

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Tap into Halloween with these Horror-themed Apps

We rarely cover mobile apps here on The G.O.R.E. Score (something we’ll definitely look to correct in the future!), so with Halloween just around the corner, we thought it would be the ideal time to introduce our readers to some of the best horror-themed apps that are currently available for iPhone and Android users.

via HumerusOnline.com

via HumerusOnline.com

If you’ve never delved into the App Store or Google Play for horror-themed apps, then you’re missing out. There is a reported 1.2 million apps now available in the App Store, obviously not all of those are based on horror, we know that – but surely some must be, right? Correct. Otherwise, why would be writing this article in the first place?

What’s truly interesting is how the horror genre has embraced the need to develop apps. The app market is thriving at the minute, and many leading brands are seeing the financial benefits of driving their product via a creative and innovative app. The need to port a product or information to mobile has never been more important, with Gaming Realms, a well-known gaming developer for portal Spin Genie, documenting that “around 50% of the time spent on smartgadgets is now attributed to gaming.” This information shows that not only do leading brands have to – pardon the pun – tap into the app market, but also the gaming sector, too.

The more lucrative the app market becomes, the more brilliant apps we are likely to see. Let’s have a run down of some of the apps we recommend:

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Eyes – the Horror Gameeyes – Downloaded over 109,000 times, this is one of the most popular horror games available. It’s creative, has superb graphics, regularly updated with improvements to the gameplay and it is loved by indie gamers.

realhorrorReal Horror Stories – This gaming app is not for the easily scared. Hearing voices whisper lines such as “I’ll send you back to her soil, to quench the earth’s thirst for blood,” is likely to scare ever the most ardent horror fan. The gameplay is eerily compelling, and the gameplay is, well, very interesting.

Free True Horror Stories from Around the Worldfreescarystories – It’s pretty self-explanatory as to what this app provides the user. The most appealing thing about this app apart from its extensive database is the sheer amount of unsolved mysteries.

Zombie Smashzombiesmash – An easy to play game that taps into the likes of Walking Dead and Z Nation’s popularity via an animated smash-me-up.

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Zombie Booth: 3D Zombifiezombiebooth – What if you became infected and turned into a zombie? Let’s be honest, we have all thought about it. Now you can see what you would look like if it actually happened with this zombifie app.

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Take some time to check out these apps, and let us know what you think in the comments below!

Bub from "Day of the Dead" (1985, United Film)

Bub from “Day of the Dead” (1985, United Film)

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Zombie Pub Crawl Sets World Record

From WWCO in Mineapolis:

 

The massive crowd of zombies that took over downtown Minneapolis Saturday night was one for the record books.

According to Zombie Pub Crawl organizers, the event– which had an official number of 15,458 zombies walking through the Warehouse District – set a Guinness World Record for the “largest gathering of people dressed as zombies.”

The official tally was set at 9: 30 p.m., ZPC organizers said.

However, the total count for zombies at the event was nearly 22,000. But, to meet the Guinness definition of a “gathering,” organizers say they had to subtract the capacity of the bars when counting the official number.

This was ZPC’s tenth year, and it wasn’t the first time they made it into the record books. In 2012, ZPC set the world record with 8,000 zombies in St. Paul’s Midway Stadium. Then again, the unofficial zombie count that year was an astounding 25,000.

While this year’s event brought lots of fake blood and people to downtown establishments, not everyone was happy about how the pub crawl was planned out.

Retailers said they lost business on Saturday because main roads were blocked off for the event. They also said they didn’t know about the road closures until a few days before the pub crawl was to take place.

Some business owners have requested that ZPC organizers compensated them for the loss of sales.

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Shark Week: do “Zombie Sharks” exist?

From Dig Magazine:

Unless you live under a rock (or at the bottom of the Marianas Trench), you’re aware that it’s Shark Week. In a tradition almost as revered as the Super Bowl, Discovery channel is filling every minute of it with over-the-top programming about the dorsal-finned apex predators of the ocean. Our fascination with Shark Week seems to be rooted in the same thought process behind why we enjoy scary movies so much: its fun to freak ourselves out from the comfort of our couch. We squeal in terror, then laugh as a great white gnaws a cameraman’s GoPro because we know we’re in no real danger. Discovery’s special from Wednesday night, ‘Zombie Sharks’, is a perfect example of that vicarious thrill.

photo by Paul Spielvogel (copyright Eli Martinez)

photo by Paul Spielvogel (copyright Eli Martinez)

The name makes it seem like it should be on the Sci Fi channel right after ‘Sharknado 2’, but its not actually about zombified, undying sea predators. The show focuses on a state called “tonic immobility”that researchers have been using for years to study sharks both in the wild and the laboratory. More specifically, a professional diver getting very close to sharks and touching them to induce this state on camera.

If “tonic”reminds you of “catatonic”, you’re very close. The effect of tonic immobility on sharks is similar to a catatonic human. Once the effect is triggered, the shark will immediately zone out and become unresponsive, as if it were sleeping. It can last minutes before the shark will rouse itself and start swimming again. Researchers who study sharks will often purposely induce them to stop their movement, then tag them before releasing them back into the wild. Its also been used to test the effectiveness of shark repellants by inducing tonic, then exposing the shark to the repellant being tested to see if it “wakes”them from the state.

So what could make a shark zone out? Apparently, flipping it upside down.

According to conservation website Shark Trust: “Tonic immobility (TI) is an unlearned reflex, characterized by a state of immobility and torpor. This behavior has been reported to occur in a variety of animals – including insects, amphibians, reptiles, birds, mammals and fish. This unnatural posture is thought to alter the animal’s sensi-motor [sic] interchange with the environment, causing a ‘limp’ response. The animal displays relaxation in muscle tone and deep rhythmic respiration. Sharks usually enter TI in less than a minute and, if left alone in tonic immobility, they can remain in this state for up to 15 minutes before eventually righting themselves and swimming away.”

Another theory is that TI is somehow involved in a shark’s mating process, making it easier to fertilize the females eggs. Because of the presence of TI in other animals, some also view it as something like the fight-or-flight response; like an opossum playing dead. Overstimulating the ampullae of Lorenzini, the organs that allow a shark to detect extremely faint electrical fields, can also induce TI. Located in the area of the snout and around the eyes, these organs are so sensitive that they can detect the earth’s electromagnetic field as well as the electric fields of living creatures . In ‘Zombie Sharks’we see a diver rub the area under a shark’s snout, then invert the shark to fully induce TI after it has stopped moving.

"Zombie Sharks" not to be confused with "shark vs. zombie" from Fulci's classic film "Zombie."

“Zombie Sharks” not to be confused with “shark vs. zombie” from Fulci’s classic film “Zombie.”

According to ‘Zombie Sharks’, a large number of great whites were mysteriously killed, and TI could be a factor. Though its very difficult to induce TI in great white sharks (because who or what would want to try) the special theorizes that orca whales may have figured out how to use it to hunt and kill the great white. If an orca were to ram a shark from beneath and turn it over, holding it upside down with its jaws to keep the shark in TI, even a great white could be killed with relative ease. Sharks need constant motion to pass water through their gills, so even if the orca didn’t eat it, the shark could be suffocated by being kept immobile.

Eli Martinez, an experienced diver and the star of Discovery’s ‘Zombie Sharks’, says that he has nothing but respect for sharks and does not believe touching sharks is unethical, if done in a safe way by someone with the proper training. In a post on Medium, he says that sharks will “self-regulate”and avoid physical contact if they don’t want to be touched: “They are very self aware and will simply just glide away from touching distance. And the ones that don’t get away from your mitts, will recoil from your touch or will bolt in fear because they did not want to be touched.”

Whichever side of the argument you come down on, its probably best to leave the handling of sharks to professionals. Please don’t go try and flip a great white over unless you’d like a posthumous Darwin award.

Article’s featured image via http://jasonflowersart.blogspot.com/

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Interview: August Fahren

Recently, TheGOREScore.com had an opportunity to pick the brain of author August Fahren.  Below are the results – read on, if you dare!

AUTHOR BIO: August V. Fahren is the author of highly entertaining and weird (i.e. Bizarro) fantasy and horror stories. Often these quirky and strangely compelling tales are described by their contrasting elements such as sweet and demented or hilarious and horrifying. August is a personality collector of the highest caliber, an avid traveler, and is hopelessly addicted to movies.

AUGUST’S WEBSITE: http://www.wantweirdbooks.com/

AUGUST ON FACEBOOK: http://www.facebook.com/august.v.fahren

AUGUST ON TWITTER: https://twitter.com/AugustVFahren

THEGORESCORE.com: Please give us the best choose-your-own adventure introduction/overview of yourself.

AUGUST: Did you just see that? Did you? Oh God! What is that? What? No, stop filming. [Outside something explodes and from the window you can see a giant monster is ripping into a building.]

Do you:

  1. Try to get a better look at the monster from the rooftop?
  2. Keep filming to get everyone’s reactions?
  3. Head for the street and try to make your way through the chaos to your girlfriend’s apartment?

 Sorry, I just watched Cloverfield. Good movie.  I enjoy laughing, long walks on the beach, and cuddling by the fire…Okay, okay, I’ll stop.

THEGORESCORE.com: What exciting projects are you currently working on?

Image courtesy of a random Google Image search. (via DeviantArt user xdragonladyx)

Image courtesy of a random Google Image search. (via DeviantArt user xdragonladyx)

AUGUST: I’m currently working on the final draft of a book about a vegan zombie and a roller derby team. They join forces to investigate a paranormal adoption agency. Sort of like a punk rock Scooby-Doo for adults.

THEGORESCORE.com: What was it that first got you interested in writing?

AUGUST: Honestly I don’t remember. Maybe it was running out of pages in my coloring books? Maybe it was my desire to create my own Commodore Amiga video game? Or perhaps it was 80’s fantasy movies, horror movies, and B-movies in general that sparked my interest? Whatever the reason it wasn’t until I entered a writing competition my school was holding that I knew I wanted to be a writer. I was in the sixth grade. After I won the best author and best co-author categories I realized this is something that I might be able to do someday.

THEGORESCORE.com: Here it is, the $100 question: why are zombies so damn popular?

AUGUST: Zombies are a malleable metaphor. They can fill just about any role you need them to fill. The thought of your loved ones coming back from the grave touches us on a primal level. Even more so when you know the zombies are interested in eating you alive. That’s scary stuff!

As for why zombies are as popular as they are at the moment, I have a few theories. See, I lived in Pittsburgh for a sizable chunk of my adult life, and despite it being ground zero for zombies, they weren’t always as popular as they are now. Back then, having an interest in zombies got you lumped into the “gore horror” group. Even so, it was more likely that you heard about the slasher films, not zombies. A lot of that probably had to do with Tom Savini being involved with both types of film.

Personally, I believe the popularity of the modern zombie took hold because it covered several types of media around the same time. Resident Evil came out in the 1996, which was a time Japan had just gone through several years of economic and political chaos. Overworked and faced with plummeting birthrates, it is easy to see how the idea of the living dead could occur to the game makers. Then 28 Days Later came out in 2002 and infused the sub-genre with new life. The next year “The Zombie Survival Guide” came out, followed in 2004 by Shaun of the Dead, which showed the masses zombies could be funny. This continual challenge to our idea of what zombies could be collectively ignited our creativity. In 2006 zombies took another jump into the collective consciousness with one of the first large-scale zombie walks at the Monroeville Mall just outside of Pittsburgh, which zombie diehard fans know as the location of the original Dawn of the Dead. Suddenly the zombie was an activity to be shared communally. Around this same time technology was improving our ability to share information quickly. This helped to snowball what was a relatively small group of hardcore fans into what we see today.

Zombies changed again, splitting off into three main groups. The first group is the more traditional fans that like slow moving zombies and overwhelming dread. The next group is composed of people who enjoy the innovation that came with the modern zombie. They are driven by thinking of new ways to approach the concept. And the last group is the apocalypse junkies who fantasize about testing their survival skills and being able to shoot whomever they don’t like. After all, zombies aren’t people anymore. With a shaky economy it is easy to imagine the collapse of society where you live by your own laws and all your problems can be solved with a bullet. It certainly has an allure to it and in a sense the enduring popularity of the zombie can almost be thought of as the new Westerns.

2006 Zombie Walk in Pittsburgh, PA

2006 Zombie Walk in Pittsburgh, PA

THEGORESCORE.com: What are some well-done novels/anthologies/short stories/articles written by other authors that you’ve enjoyed recently?

AUGUST: I really enjoy anything Thomas Ligotti writes. I also enjoy almost anything Carlton Mellick III writes. “All-Monster Action” by Cody Goodfellow was great. “A Town Called Suckhole” by David W. Barbee is a wonderful book set in a post-apocalyptic Dixie. It’s a little bit like a Southern fried version of Idiocracy. I’ve also read a lot of Brian Keene, Eric S. Brown, and David Dunwoody lately. Not to mention several graphic novels and a few of the classics I’ve missed along the way.

THEGORESCORE.com: If you could write a tale about any object or character, fictional or real-life, and not have to worry about pesky things like copyright infringement, the truth, cold hard facts, or pretty much anything else that might get you sued, who/what would you write about, and why?

AUGUST: I’d probably write about teaming up with Dr. Herbert West and an undead Ray Bradbury. We would run a fantasy camp (i.e. a holodeck game show) for authors to see if they would be able to survive their own creations. That way you have both an entertaining immersion into their worlds and a place to watch authors getting their comeuppance.

THEGORESCORE.com: What are some of the most challenging struggles you think writers face these days?

AUGUST: With such a large upheaval going on in the publishing industry I think it puts writers in a bit of a bind if they are interested in traditional publishing. Doing more for advances that are a fraction of what they were in the old days seems to be the norm. Not to mention with so few big houses publishing newer writers those writers may be tempted to turn out mediocre books with mass appeal.

 As far as independent and small press writers are concerned I think the biggest challenge they face is getting discovered in such a crowded marketplace. As things continue to shakeout and settle down I think there is also a worry that the new technology will lead to widespread pirating. Other concerns have to do with the marketing techniques and tricks employed to sell more mediocre or sub par work. With some authors in this new era it is almost like they think of the book as just another product and care little for quality.

THEGORESCORE.com: Looking back on your writing career, what is the one thing you wish someone would have told you when you first began?

AUGUST: Grow a thick skin. With all the rejections, the skyrocketing and plummeting sales, the uncertainty, the wonderful reviews, and the appreciative readers it is enough to make you feel like you’re mentally ill. And perhaps you are for wanting to work in such a difficult industry where financial success for most amounts to a middle-class wage. But at the end of the day being able to make readers a little happier is all worth it.

THEGORESCORE.com: Do you have an all-time favorite book?  Movie?  Music album or band?  What makes this/them so special to you?

Hellbilly_DeluxeAUGUST: All-time favorite book would be…nope, can’t pick just one. All-time favorite album has to be Rob Zombie’s Hellbilly Deluxe. A bit of a strange pick for me since I don’t typically enjoy a lot of heavy metal, but there is just something about the pairing of metal and horror themes that I love.

THEGORESCORE.com: Do you attend conventions or book signings/appearances?  Do you think these events hold value for authors to participate in, and why/why not?

AUGUST: I don’t attend conventions. At some point in the future that will probably change. Book signings are a thing of the past. I think these events bring value up to a point. However, some authors are abrasive, socially inept, and hold unpopular opinions. Everyone doesn’t have to be a social butterfly. You don’t have to be best friends with your favorite author to enjoy their work. What’s that quote? You should never meet your heroes.

THEGORESCORE.com: This is a topic of great debate: do you listen to music when you write?  If so, what types/genres/artists do you find yourself gravitating to?

AUGUST: Sometime I listen to music when I write. I’ll even create a soundtrack to write to while I’m working if the mood strikes me. Other times music is too distracting. Most of the time it is a moot point since I write the first draft in my head while pacing all over the house. Lately I’ve been listening to Clint Mansell. You can do anything listening to Lux Aeterna and suddenly it is the most amazing thing you have ever done.

THEGORESCORE.com: What do you think is one of the biggest mistakes that writers might make when they are first starting out?

AUGUST: I think one of the biggest mistakes writers make when they are just starting out is they don’t think beyond getting the book finished. Marketing, audience, branding, editing, and a million other things need to be taken into consideration when writing a book. Just because you’ve written it doesn’t mean it is going to fly off the shelves. Today you have to be prepared to wear all the hats to make your book successful. Another mistake beginning writers make is when they romanticize the craft and wait until inspiration strikes. It’s a job and a skill set. To get better you have to put in the time.

A third mistake I see a lot of writers make is letting things like fear and doubt control them. Often you will see the use of an impressive vocabulary, a fear of clichés, and a slavish devotion to writing dogma. A robust vocabulary can take the reader out of the story. Awkward phrasing calls attention to itself. Refusal to break from dogma can destroy your writing. Your job as a writer is to convey your story as clearly and directly as your ability allows. That’s it. Finally a mistake I see writers of all levels making is responding negatively to their critics and reviewers. People are entitled to their opinions. You can’t make everybody happy and to try and do so is a sure route to failure.

THEGORESCORE.com: Is there anything else you’d like to share that we haven’t already discussed?  The world is your stage – nothing is too much here!

AUGUST: Nope. I think we covered it!

Because we are big fans of interactivity here on the site, we gave August the opportunity to “flip the switch” and interview TheGOREScore.com creator Tony Schaab with a few questions of August’s choosing:

AUGUST: Runners, shambling, or other? What flavor of zombie do you most enjoy reading/watching? Why?

TONY: I’m an equal-opportunity zombie lover.  That may have come out wrong… but my point is, I have an appreciation for the different types of zombies that have been created over the years.  While I respect the opinion of those that call themselves “purists” and have an odd amount of animosity for anything that isn’t a shambling zombie, their main argument that non-shambling zombies aren’t the “original” type of zombie, to which I would simply remind everyone that the term “zombie” actually originated in the Haitian voodoo culture, so technically anything other than a voodoo zombie – including the Romero shamblers we’ve come to know and love – technically are “knock-offs.” 🙂

AUGUST: How long do you think the mass media and popular culture will embrace the zombie?

TONY: I think that we are in a spot where there will always be some amount of love and respect for the undead and their tales.  Just as Dracula and the vampires have been around in written tales and the entertainment realm since the 1800s, so too have zombies existed as a form of entertainment for quite some time.  As with any monster or horror trope, the popularity of the undead will inevitably wax and wane, but hopefully the recent “zombie renaissance” will keep our necrotic friends in the spotlight for at least a little while longer!

AUGUST: What are your favorite horror books and/or movies?

fahrenheit-451TONY: First and foremost, I’m not sure I ever would have had an interest in writing if I had never read H. G. Wells’ The Time Machine; that work spoke to me on many levels.  Like many horror fans of today, I grew up reading a lot of Stephen King and Ray Bradbury – I especially enjoyed how Bradbury often blurred the lines between science fiction and horror in many of his works, Fahrenheit 451 being a personal favorite.  I’m somewhat the same with my movies, as Alien films and more recently Event Horizon are excellent examples of sci-fi/horror genre blending.  Although I’m sure I watched movies that featured zombies prior to, it was my first viewing of Night of the Living Dead as a teenager that helped me fall in love with the walking dead.  See, that came out wrong, too… I’m just going to have to start censoring my appreciation for our genre a little more, I guess!

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“G.I. Zombie” Resurrected at DC Comics

From USA Today:

Image Credit: DC Comics

Image Credit: DC Comics

DC Comics’ newest comic book stars the few, the proud and the undead.

Star-Spangled War Stories Featuring G.I. Zombie revives the long-running military-tinged anthology series with a soldier who’s pretty much dead but has been serving the government in secrecy for many years and many American wars.

Batwing writing team Jimmy Palmiotti and Justin Gray and artist Scott Hampton pair Jared Kabe with another military type, Carmen King, a woman who’s done two tours of duty but is suffering from post-traumatic stress disorder. Her bosses think it’d be good for her to partner with Jared, and they focus their energies on anti-government militias in the USA as well as the beginning stages of a full-fledged zombie apocalypse.

G.I. Zombie is a “very good warrior, he’s a pretty decent guy, but he also has an appetite that’s not really healthy — and visually disgusting,” says Palmiotti, who describes the series as a mash-up of The Walking Dead, old Sgt. Rock comics and HBO’s True Detective.

“The surprising thing is you’ll get to really like these characters right away, and when the disturbing stuff happens, you might feel like, ‘Well, you know, that’s what he’s gotta do.’ And you’ll tag along for the ride.”

In the first issue (out Wednesday), Jared and Carmen are sent on an undercover mission by their handler/cleanup man Abel Anderson — codename Gravedigger — to infiltrate a militia that has gotten its hands on a chemical weapon called Black Ice, which can destroy towns and cities in a matter of hours.

The militia has genocide on its mind because its members are not really happy with where America is going, and the heroes’ secret branch of the government has to cover up this domestic terror that’s happening in the main DC Universe.

The members of this nefarious group are “regular people who are just getting swept up in the idea that they can make a big difference, and like a cult or anything like that, it comes down to one or two people pulling the strings to make things happen,” Palmiotti says.

“It’s basically up to G.I. Zombie and Carmen and Gravedigger to go in there and break it up or control the uncontrollable, and that’s what the series is about.”

Jared and Carmen are thrown into the new mission without getting to know one another, and though their relationship grows with each issue, she’s majorly freaked out working with a walking, functioning deceased guy.

“Every time they get a break, she’s asking him a thousand questions, which is pretty funny because it’s what you and I would do,” Palmiotti says. “We’d be sitting there like, ‘What do you eat? What do you do? Do you go to the bathroom? How long have you been alive?’ All that kind of stuff.

“They’re figuring out each other, but at the same time they have a mission in front of them, and the mission is everything to them.”

The “Five Years Later” issue in September shows an undead apocalypse veering out of control in the future — what Jared has in him is part of what starts happening in the world around him, according to Palmiotti.

Readers will get peeks of the pre-zombified Jared’s life as the story progresses, and at the half-year point, the writers want to show the events that led to his undead state of being.

“The thing about him is he has a sense of humor, he kind of knows where he is in the world and he understands it,” Palmiotti says. “He throws himself into stuations and he knows that no matter what, unless they cut his head off and bury it like eight miles away, he’s going to be able to pretty much take a good beating.”

Jared’s personality is far beyond the “Rrrrragh! Brains!” motif of many pop-culture zombies, yet there is that problem of the unhealthy appetite. Palmiotti reveals that he deals with it like somebody who’s hooked on drugs sneaks away and takes a hit: Jared doesn’t want to weird out his partner, but he also is faced with a ravenous hankerings for a living meal.

“He’s got this little monkey on his back saying, ‘What you do is horrible but you want to stay alive.’ He’s a perfect example of what somebody will do to survive, and the reason he is a warrior is because of his past,” Palmiotti explains. “As the series goes, it gets a little more twisted and of course Carmen figures out what’s going on and they have to work together with this problem.”

Plus, he adds, “she has her own demons with the stress disorder trying to have a normal life.”

Star-Spangled War Stories reboots a title that ran from the 1950s to the late ’70s, when Palmiotti was a kid going to the cinema to watch the dark and over-the-top films of the day.

He and Gray are known for their modern takes on oddball characters in comic lore such as Jonah Hex and the Unknown Soldier, and with G.I. Zombie, Palmiotti saw a way to tie into the global strife and madness one watches unfold during a full day of cable news.

“We have this belief that the people in charge know how to take care of everything,” he says. “As you get older, you realize, well, that’s not true. Your doctor’s guessing, your accountant’s guessing, the pilot is winging it so to speak, the cook is trying out something new.

“When we write this kind of material, we like to rely on the real-world stuff going on a lot because it is scary, and part of the charm of that is giving hope — that there’s heroes out there who actually knows what’s going on and they’re gonna save the day.”

Image Credit: DC Comics

Image Credit: DC Comics