1 Comment

G.O.R.E. Score: Living with the Dead

Living with the Dead

Original Release Date: October 10, 2007
Total Number of Issues: 3 (Mini-series)
Publisher: Dark Horse Comics

I stumbled across “Living with the Dead” as a small little graphic novel at the bookstore; the price was right, so I thought I would check it out.  The graphic novel collected the entire three-issue mini-series produced by Dark Horse, and after now having read it twice, I can confidently share my thoughts with you, my dear readers.

“Living with the Dead” sucks.  It is a plain, boring, unimaginative, unoriginal series that is, quite frankly, an insult to anyone of us out here that have ever had a unique idea about zombies and thought “this would make a cool book/movie/game/etc.”

Here is the tired plot, in a nutshell: two dudes, Straw and Whip, find themselves somehow immune to the airborne plague that has turned everyone else in New York City (and, ostensibly, the planet, as indicated by the comic’s tagline “Two boys…one girl…seven billion  living dead!”) into flesh-eating zombies.  Instead of coming up with a plan or worrying about their long-term survival, the two guys wander the town pretty aimlessly, until they meet up with a living female, Betty, who threatens to tear their friendship apart.  Anything in that synopsis that you haven’t seen done 100 times over?  Didn’t think so.

Click here to learn more!The full review of this item, including the four-category G.O.R.E. synopsis and Total Score, can be found in the book version of “The G.O.R.E. Score, Vol. 1,” along with over 50 other reviews! Click here to learn more about the book, or click here to view and order the book directly from Amazon.com!

Leave a comment

G.O.R.E. Score: Night of the Comet

Night of the Comet

Original Release Date: November 16, 1984
Run Time: 95 minutes

“Night of the Comet” is a very unique movie.  To the average viewer, it probably appears to be just another kitschy ‘80s horror film.  But for those select viewers “in the know” about this movie’s director, Thom Eberhardt, and what his true intentions were in making this film, the experience of watching “Night of the Comet” is completely different and – in my humble opinion – infinitely more rewarding.

The plot is simple enough, in its obliviously-cheesy way: a comet is passing closely to Earth, so almost everyone on the planet decides to throw a party to stand outside and watch it pass by.  The opening credits are shown while a newscast talks about how this comet “hasn’t been seen in our solar system since the time the dinosaurs mysteriously vanished,” which raises the awareness of the viewer but apparently not a single person in the actual movie.  Comet passes by, bad things happen to the people who were staring directly at it, and the few people on the planet who weren’t directly affected by the comet (including a surprisingly young-looking and heroic-acting Robert Beltran, better known to some as Chakotay from “Star Trek: Voyager”) are left to deal with the consequences.

Click here to learn more!The full review of this item, including the four-category G.O.R.E. synopsis and Total Score, can be found in the book version of “The G.O.R.E. Score, Vol. 1,” along with over 50 other reviews! Click here to learn more about the book, or click here to view and order the book directly from Amazon.com!

1 Comment

G.O.R.E. Score Review: Boy Eats Girl

Boy Eats Girl

Boy Eats Girl

Original Release Date: September 23, 2005
Run Time: 80 minutes

This is the first viewing I’ve ever had of a zombie movie that came out of Ireland, and I must say, I was pleasantly surprised.

“Boy Eats Girl” was clearly made in response to the success of 2004’s smash zom-com hit “Shaun of the Dead.” While this film obviously didn’t reach the same heights (in either exposure or quality), it does have some great high points and great takes on a lot of ideas that other zombie movies don’t pull off as effectively.

The movie clocks in at a scant 80 minutes long, which is probably to it’s advantage, and really doesn’t use any “name” actors, at least none that audiences here in the U.S. will be familiar with (the “biggest” star in the movie is Samantha Mumba, who is borderline-memorable for her singing career and role in the 2002 remake of “The Time Machine,” a movie I very much enjoyed). Everything else I want to say about the film falls under a Score category, so let’s get right to it!

Click here to learn more!The full review of this item, including the four-category G.O.R.E. synopsis and Total Score, can be found in the book version of “The G.O.R.E. Score, Vol. 1,” along with over 50 other reviews! Click here to learn more about the book, or click here to view and order the book directly from Amazon.com!

1 Comment

G.O.R.E. Score Review: David Wellington’s “Monster” Trilogy

Monster Island, Monster Nation, and Monster Planet
Monster Island (2006), Monster Nation (2006), Monster Planet (2007)

Released: 2006-2007
Publisher: Thunder’s Mouth Press/Running Press

I wanted to reserve reviewing David Wellington’s trio of zombie books, Monster Island, Monster Nation, and Monster Planet, until I was able to complete reading all of three of them. Now that I have read the entire trilogy, I am glad I waited; even though these stories could exist independently of one another as stand-alone books for someone who hasn’t read all three (or even read them in order), they work together excellently as a complete three-act story arc.

Wellington has created an incredibly engaging story throughout these three books.  It’s very clear he understands the nuances of the zombie genre, but at the same time he works to re-invent and re-invigorate the zombie story by throwing in some very unique and very stylized concepts.  Heck, there is a scene in the third book, Monster Planet, where zombie mummies are shooting machine guns and rocket launchers out of a helicopter onto a caravan of super-powered intelligent zombies, and i as the reader never once questioned the scene or found it to be “implausible” in the context of his story.  Wellington effectively crafts vivid imagery and unique characters, both living and dead, that the reader truly and easily comes to care about.

My only major qualm with the books is the conclusion of the tale; I know it’s definitely a challenge to “wrap up” and put a finite end to a major story like this. With a tale of this scope, you definitely want to make sure you tie up all the loose ends and reconcile everything that has happened in over 800 pages of storyline, and while the ending is certainly broad in scope, it just felt out of sync with the story that Wellington had built up over the first two-and-a-half books. He did an excellent job of putting a definite end to this story but, like many writers, he felt he had to leave some things open-ended for a potential sequel story.

2 Comments

G.O.R.E. Score Review: Zombieland

Zombieland

Zombieland (2009)

Original Release Date: October 2, 2009
Run time: 80 minutes

As most of us are keenly aware by now, the hype surrounding “Zombieland” has grown to fairly epic proportions; can you think of the last time a zombie movie received a major national marketing campaign and a coast-to-coast wide theatrical release? Last year’s “Quarantine” had a few commercials on TV here and there, but 2004’s “Dawn of the Dead” is the most recent movie that springs into my head in terms of big-time national exposure, and that was half a decade ago! In any case, after having been one of the lucky few to see “Zombieland” at a sneak preview screening last night (with free swag! I will wear my Zombieland t-shirt and hat with pride, and the Zombieland Hand Sanitizer and Twinkies are especially humorous after you’ve seen the movie), I am proud to say that this movie will definitely live up to the hype for the vast majority of people that go to see it.

“Zombieland” does a surprisingly good job of mixing action, horror, comedy, and even a dash of romance for good measure. The inevitable comparisons to “Shaun of the Dead” will surely arise, but believe me when I say that these are two VERY different films, they just happen to be the two most prominent examples of Zombie Comedies – the only people who will compare the two are people who are too unimaginative to think of anything else to say.

Leave a comment

Original Short Story: A Disagreeable Affectation

Here is the original bio that accompanied this story in it’s various submissions: Tony Schaab returns with his second zombie short story, following the quirky “PaparazZombie” with an equally odd successor.  “A Disagreeable Affectation” started it’s life as a scripted scene Tony wrote for a comedy show put on by IndyProv, Indianapolis’ only independent improvised-comedy troupe; Tony altered the writing of the scene to make the tale work in short-story form.  Tony remains 31 years old.  Tony still runs his zombie-centric blog, Slight of the Living Dead, and is proud to offer short stories along with zombie movie reviews, book reviews, game reviews, and more.  Tony is contractually obligated to mention his friend and fellow short-story author Michael Sullivan in this bio.

 

 A Disagreeable Affectation
by Tony Schaab
Originally written: May 2009

Billy and Jason ran through the door of the abandoned office, slamming it shut behind them.  Out of breath, they were both silent for a long moment before Jason spoke.  ”This shit be fucked up!  There ain’t no way that this is actually happening…” His voice trailed off, unsure of exactly what to say next.

Billy caught his breath and answered, “I know.  I spent my entire youth watching zombie movies…never in my wildest dreams would I imagine that zombies would become real and take over the world!”

“Well, at least we’ve done escaped from them,” Jason said, crouching and peering cautiously out the window.  Suddenly, he stood up, rigid with fear.  “Or not!  Here they come!”

“Shit!” Billy yelled as five of the undead came crashing through the door.  Three of them came shambling towards Billy, arms outstretched, as the other two closed on Jason, who had moved to the far corner of the room and was cowering there in fear.  Not being able to come up with any other coherent thoughts, Billy yelped at his attackers. “Please don’t eat me!  I have a wife and three children!!”

All five of the deceased attackers halted suddenly, stopped in their tracks with their arms in mid-air, as if contemplating some great secret.  Confused but feeling opportunistic, Jason slowly said, ”Ye-yeah, don’t eat me neither!  I’ve gots me a grandmother at home that I be taking care of!”

The zombies, as if awakening from a dream, roared as they all descended upon Jason and in a flash they dragged him, kicking and screaming, out the door of the office and around the corner, where his screams slowly faded.  Left alone, Billy could do nothing but stand and shake in fear and confusion.  While he was still deciding exactly what to do next, a woman came running through the door.

Billy jumped into action; unfortunately, that action was slamming himself up against the wall awkwardly while yelling, “Shit!  Are you a zombie too??”

The woman stopped in the middle of the room, her hands up in front of her in the classic “non-threatening” fashion.  “No, I’m a normal person!  My name is Eliza…what’s yours?”

“Billy…I’m Billy…” was all he could muster as a reply.

“Billy…was that your friend that I just saw being dragged away by zombies?”

Billy, feeling slightly dizzied by the day’s events, replied, “Yeah, they were just here, but I don’t know why they took him and not me…”  He let his voice trail off, not exactly sure what to say next.

The woman took the opportunity to speak, with an air of authority: “I think I may have the answer to that.  I’m Professor Eliza Hollingsworth.  I’m an English teacher at the local college, and our English department faculty was working with the local Army base on a top-secret experiment that was to combine their attempts at ridding the world of counter-terrorism with our attempts of ridding the world of people who can’t speak the English language very well.  But, somewhere along the way, our efforts went horribly, horribly awry.”

Billy opened his mouth to reply, but Eliza, in full-on dramatic monologue mode, carried on with her speech.  “You see, Billy, the reason the zombies drug your friend away but left you alone is quite simple: he must have used bad grammar in front of them.  That’s the only time these zombies attack people: because we accidentally unleashed upon the world the sheer horror of…Grammar Zombies!!”

Billy’s brain, at this point, simply checked out.  Not being able to process such fantastical information, he stood silently, his jaw slacked.  Eliza continued, “I sense your confusion, and I know this is a lot to take in.  The bottom line, Billy, is that we will be just fine as long as we don’t make any grammatical errors in front of the zombies.  Whenever they might come back.”

In a robotic voice, Billy echoed her.  “Yes…whenever they might come back.”

Another few seconds of awkward silence passed between the two, and then suddenly the undead came crashing through the other door on the far side of the office!  With a freshly zombified Jason in tow, they lurched towards the two humans, who backed into a corner together as the professor bravely spoke.

“Fear not, Billy!” Eliza exclaimed theatrically.  “As long as we don’t make any grammatical errors when we speak, we will be just fine!”

“You’re right, Professor!” Bill said, brazenly.  He was feeding off of her bravado, making him feel more empowered, and more dramatic as a side effect.  “I realize now, based on what you’ve told me, that there is nothing to be afraid of!”

The zombies stopped suddenly, slowly turning and staring with their undead eyes, fixating on Billy.

Eliza stared a Billy in horror.  “Billy…did you just…end your sentence…with a preposition?”

A variety of emotions passed over Billy’s face as he slowly realized his mistake.  “No…I said that I was afraid with…I mean, I…SHIT!”

Billy frantically looked for an opportunity to run, but it was far too late.  The group of living dead tore Billy apart limb by limb, eating his insides and splashing Eliza with blood and guts and she stood by, frozen in fright and looking away in horror.  The group, having finished their meal and having no reason to attack Eliza, began to shamble away aimlessly.  Eliza, sobbing, couldn’t help but deliver one last dramatic line for her fallen comrade.  “Oh, Billy!  Hopefully your death will not be in vain!”

The undead zombies stopped abruptly in mid-shuffle and turned back to look at Eliza.  She sneered at them.  “Keep moving, you assholes.  According to the American Writer’s Association as of 2005, using ‘hopefully’ at the beginning of a sentence is no longer considered a dangling participle.”

The zombies looked at one another, nodded and grunted begrudgingly, and continue their slow walk out the door of the office, leaving Eliza alone in the suddenly-quiet room.

Taking a moment to compose herself, Eliza wiped the gore off of her face and stood tall.  Speaking to no one in particular, she dramatically stated: “I see now that it is up to me to save the world.  However, instead of amassing guns and teaching violence, I know now I must amass English textbooks and teach proper grammatical contexts.  We can win this war…with our mouths!”

Determined and with purpose, Eliza strode towards the door of the office.  A few feet from the door, she tripped and stumbled over something unseen on the ground.  Her dramatic trance broken, she looked down, exclaiming “Shit!  Where did that piece of entrails come from?”

In the distance, she heard the pack of zombies groan and heard the shuffling of their feet approaching.  Realizing her grammatical mistake made in a moment of panic, she tried to backtrack, stammering: “I mean, did this piece of entrails from come…where…oh, fuck it!”

She ran off to begin the resistance movement, knowing that she was a marked woman in the eyes of…THE GRAMMAR ZOMBIES!

3 Comments

G.O.R.E. Score Review: House of the Dead

House of the Dead

House of the Dead

Original Release Date: 2003
Run Time: 90 minutes
 
Earlier this week, I treated myself to a “double-dip” of two of the worst movies of all time, “Plan 9 from Outer Space” and “House of the Dead.” I sat down and watched these two movies on the same night, back-to-back, on purpose; “why would you do this to yourself?” you might ask me. I don’t know, honestly…I must have been really hating myself and full of self-loathing that day. It was pretty much a Sadistic Double Feature. Both of these movies were helmed by directors that are notorious in their own right, and many would say they are notorious for all the wrong reasons. Be that as it may, they both got their movies made (somehow) and released to the general public for their viewing displeasure, and now, having seen them and suffered through them, it is my solemn duty to report to you, dear readers, my sad, sad findings. Let’s begin.

After watching “House of the Dead,” I was left largely scratching my head. Was this supposed to be a movie based on a video game, or an attempt at mashing a movie together with an actual video game?